About Us

The Light & Shadow Gallery was established primarily to display and sell the exhibition archive prints of Max Dupain. I had been promoting and selling Max’s work on-line at maxdupain.com.au for over 12 years and had been asked many times if there was a gallery of his works. When the opportunity arose at the end of 2017 for a gallery space in Leura, I jumped at it. The Gallery opened early February and now I have an on-line and bricks-n-mortar gallery to exhibit high quality photography.

It wasn’t just about Dupain’s work that I wanted to display. There are many artists thriving in the World Heritage Blue Mountains and I wanted to offer a venue in which to display local talent. I display the works of recognised photographers throughout the gallery, with the main downstairs gallery exhibiting mostly Dupain’s work.¬†Along with my Operations Manager, Elvira Zilliacus, I hope you can visit this special gallery.

Peter White, Director

About Max Dupain

Max Dupain is Australia’s most revered and well-known photographer. His work has been collected by most of the major galleries around Australia and overseas. His work has influenced generations of photographers and he is the most influential photographer of the 20th century.

Born in Sydney in 1911, he lived there all his life, photographing the city from the late 1930s through to just before his death on July 27, 1992. There were a few sojourns to other countries, Paris in 1988 to photograph the Seidler Australian Embassy but mostly he was interested in photographing the architecture, the landscape, the beaches and the cities of Australia.

For many Australians, Dupain’s photographs define beach culture, and it was the beach that was the inspiration for his most famous and enduring images. The Sunbaker, At Newport and Bondi all capturing that decisive moment.

However, it was not just the beach and Sydney that held his attention. Beginning in the mid thirties, Dupain took on most genres – portraits, nudes, still life and in particular, architecture. It was the latter in which his dramatically lighted portrayals expressed the abstract qualities, emphasising the simple shapes and design of a structure.

Dupain’s philosophy could be summed up in two words, simplicity and directness. With this in mind, Dupain remained an adherent of black and white photography. He felt that colour was restricting in its objectivity and that nothing was left for individual interpretation. He continued to photograph until a few months before his death in July, 1992.

“Modern photography must do more than entertain, it must incite thought and by its clear statements of actuality, cultivate a sympathetic understanding of men and women and the life they create and live.”

Max Dupain 1948